Known For:
Acting
Birthday:
March 23, 1922
Place of Birth:
Cremona, Lombardy, Italy
Ottavio "Ugo" Tognazzi (23 March 1922 – 27 October 1990) was an Italian actor, director, and screenwriter.
He is considered one of the most important faces of Italian comedy together with Vittorio Gassman, Nino Manfredi, Marcello Mastroianni, and Alberto Sordi.
Tognazzi was born in Cremona, in northern Italy but spent his youth in various localities as his father was a travelling clerk for an insurance company.
After his return to his native city in 1936, he worked in a cured meats production plant where he achieved the position of accountant. During World War II, he was inducted into the Army and returned home after the Armistice of 8 September 1943, and joined the Black Brigades for a while. His passion for theater and acting dates from his early years, and also during the conflict he organized shows for his fellow soldiers. In 1945, he moved to Milan, where he was enrolled in the theatrical company led by Wanda Osiris. A few years later, he formed his own successful musical revue company.
In 1950, Tognazzi made his cinematic debut in The Cadets of Gascony directed by Mario Mattoli. The following year, he met Raimondo Vianello, with whom he formed a successful comedy duo for the new-born RAI TV (1954–1960). Their shows, sometimes containing satirical material, were among the first to be censored on Italian television.
After the successful role in The Fascist (Il Federale) (1961), directed by Luciano Salce, Tognazzi became one of the most renowned characters of the so-called Commedia all'Italiana (Italian comedy style). He worked with all the main directors of Italian cinema, including Mario Monicelli (My Friends), Marco Ferreri (La Grande Bouffe), Carlo Lizzani (La vita agra), Dino Risi, Pier Paolo Pasolini (Pigsty), Ettore Scola, Alberto Lattuada, Nanni Loy, Pupi Avati and others. Tognazzi also directed some of his films, including the 1967 film The Seventh Floor. The film was entered into the 17th Berlin International Film Festival.
He was a well-known actor in Italy, and starred in several important international films, which brought him fame in other parts of the world.
Roger Vadim cast Tognazzi as Mark Hand, the Catchman, in Barbarella (1968). He rescues Barbarella (Jane Fonda) from the biting dolls she encounters, and after her rescue, he requests payment by asking her to make love with him (the "old-fashioned" way, not the psycho-cardiopathic way of their future).
In 1981, he won the Best Male Actor Award at the Cannes Film Festival for Tragedy of a Ridiculous Man, directed by Bernardo Bertolucci. While he worked primarily in Italian cinema, Tognazzi is perhaps best remembered for his role as Renato Baldi, the gay owner of a St. Tropez nightclub, in the 1978 French comedy La Cage aux Folles which became the highest grossing foreign film ever released in the U.S.
Tognazzi had various relationships during his life, being married to actresses Margarete Robsahm and later Franca Bettoia. He had four children from three different women: his sons Ricky Tognazzi (b. 1955) and Gianmarco Tognazzi (b. 1967) are actors; another son, Thomas Robsahm (b. 1964), is a Norwegian film director and producer; his daughter, Maria Sole Tognazzi (b. 1971), is also a film director. ...
Source: Article "Ugo Tognazzi" from Wikipedia in English, licensed under CC-BY-SA.
| Year | Movie | Role |
|---|---|---|
| 2022 | La voglia matta di vivere | Self (archive footage) |
| 2021 | We Are Cinema | Self (archive footage) |
| 2017 | The Incredible Mr. Piccoli | Self - Actor (archive footage) |
| 2010 | Portrait Of My Father | Self (archive footage) |
| 1990 | Drums of Fire | Carlo di Palma |
| 1989 | Tolérance | Marmant |
| 1988 | Arrivederci e grazie | Carlo |
| 1988 | Days of Inspector Ambrosio | Giulio Ambrosio |
| 1987 | The Last Minute | Walter Ferroni |
| 1986 | Yiddish Connection | Mosche |
| 1985 | My Friends Act III | Conte Mascetti |
| 1985 | La Cage aux Folles 3 | Renato Baldi |
| 1985 | Fatto su misura | Nathan |
| 1984 | Bertoldo, Bertoldino, and Cacasenno | Bertoldo |
| 1984 | Good King Dagobert | La pape Honorius et son sosie |
| 1983 | Petomaniac | Joseph Pujol |
| 1983 | The Key | drunk |
| 1983 | A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit | onorevole De Andreis |
| 1982 | My Friends Act II | Il Conte Mascetti - Raffaello "Lello" Mascetti |
| 1982 | Unfaithfully Yours | Carlo Reani |
| 1981 | Tragedy of a Ridiculous Man | Primo Spaggiari |
| 1981 | Droit de Réponse | Self |
| 1980 | La Cage aux Folles II | Renato Baldi |
| 1980 | The Terrace | Amedeo |
| 1980 | Sunday Lovers | Armando (sketch 'Le carnet d'Armando') |
| 1980 | I'm Photogenic | Ugo Tognazzi (uncredited) |
| 1980 | Arrivano i bersaglieri | Don Prospero |
| 1980 | SuperTotò | |
| 1979 | Traffic Jam | Professor |
| 1979 | I viaggiatori della sera | Orso Banti |
| 1978 | La Cage aux Folles | Renato Baldi |
| 1978 | Where Are You Going on Holiday? | Enrico (episodio "Sarò tutta per te") |
| 1978 | First Love | Ugo |
| 1978 | The Payoff | Il Commissario Assenza |
| 1978 | Formula 1 - Speed fever | Self |
| 1977 | The Bishop's Bedroom | Orimbelli |
| 1977 | The New Monsters | il marito/il cuoco/il figlio |
| 1977 | Beach House | Alfredo Cerquetti |
| 1977 | Nenè | Barber "Baffo" (uncredited) |
| 1977 | The Cat | Amedeo Pecoraro |
| 1976 | Evil Thoughts | Mario Marani |
| 1976 | The Career of a Chambermaid | Adelmo |
| 1976 | Goodnight, Ladies and Gentlemen | Generale / Menelao Guardiaferri |
| 1976 | Pleased To See You Again | Mario Aldara |
| 1975 | My Friends | Raffaello Mascetti |
| 1975 | Duck in Orange Sauce | Livio |
| 1975 | The Baron's Mazurka | Barone Anteo Pellacani |
| 1975 | Weak Spot | Georgis |
| 1975 | E il Casanova di Fellini? | Self |
| 1974 | Come Home and Meet My Wife | Giulio Blasetti |
| 1974 | Don't Touch the White Woman! | Mitch |
| 1974 | Il generale dorme in piedi | Col. Umberto Leone |
| 1974 | Permettete signora che ami vostra figlia? | Gino Pistone |
| 1973 | La Grande Bouffe | Ugo |
| 1973 | We Want the Colonels | On. Giuseppe Tritoni |
| 1973 | Property Is No Longer a Theft | The Butcher |
| 1972 | The Master and Margarita | Nikolaj Afanasijevic Maksudov 'Maestro' |
| 1972 | The Audience | Aureliano Diaz |
| 1972 | This Kind of Love | Federico / Federico's father |
| 1971 | Stanza 17-17 palazzo delle tasse, ufficio imposte | Ugo La Strizza |
| 1971 | The Superwitness | Marino Bottecchia detto 'Mocassino' |
| 1971 | In the Name of the Italian People | Mariano Bonifazi |
| 1970 | Lady Caliph | Annibale Doberdò |
| 1970 | Come Have Coffee with Us | Emerenziano Paronzini |
| 1970 | Splendori e miserie di Madame Royale | Alessio / Madame Royale |
| 1970 | Lonely Hearts | Stefano |
| 1969 | Pigsty | Herdhitze |
| 1969 | Police Chief Pepe | Commissario Antonio Pepe |
| 1969 | The Conspirators | Cardinal Agostino Rivarola |
| 1969 | The Degenerates | Trimalchione |
| 1968 | Barbarella | Mark Hand |
| 1968 | Baby Doll | Giulio Broggini |
| 1968 | Dismissed on His Wedding Night | Oscar Pettini |
| 1968 | Torture Me But Kill Me with Kisses | Umberto Ciceri |
| 1967 | The Climax | Sergio Masini |
| 1967 | The Head of the Family | Remo |
| 1967 | The Harem | Self (uncredited) |
| 1967 | The Man with the Balloons | Man With Car |
| 1967 | The Seventh Floor | Giuseppe Inzerna |
| 1966 | Our Husbands | Umberto Codegato |
| 1966 | The Wedding March | Avvocato / Michele / Frank / Igor Savoia |
| 1966 | Pleasant Nights | Uguccione de' Tornaquinci |
| 1966 | A Matter of Honor | Efisio Mulas |
| 1966 | Gli altri, gli altri e noi | 'Cavalier Mele' |
| 1965 | Complexes | Prof. Gildo Beozi |
| 1965 | Menage Italian Style | Carlo Vignola Federico Valdesi |
| 1965 | Kiss the Other Sheik | Man With Car (segment "L'uomo dei 5 palloni") (uncredited) |
| 1965 | I Knew Her Well | Gigi Baggini |
| 1965 | Run for Your Wife | Riccardo |
| 1964 | The Ape Woman | Antonio Semola |
| 1964 | It's a Hard Life | Luciano Bianchi |
| 1964 | Controsesso | The professor (segment "Il professore") |
| 1964 | The Magnificent Cuckold | Andrea Artusi |
| 1964 | Laughs Italian Style | |
| 1964 | A Very Handy Man | Liolà |
| 1964 | High Infidelity | Cesare |
| 1963 | Il pollo ruspante | Togni |
| 1963 | The Monsters | The Father (segment "L'Educazione sentimentale") / Policeman (segment "Il Mostro") / Stefano (segment "Come un Padre") / Battacchi (segment "Il povero Soldato") / L'Onorevole (segment "La Giornata dell'Onorevole") / Dark Latin Lover (segment "Latin Lovers-Amanti latini") / Pilade Fioravanti (segment "Testimone volontario") / The Traffic Warden (segment "L'Agguato") / The Car Buyer (segment "Vernissage") / Spectator at the Cinema (segment "Scenda l'Oblio") / The Husband (segment "L'Oppio dei Popoli") / Guarnacci (segment "La nobile Arte") |
| 1963 | The Conjugal Bed | Alfonso |
| 1963 | Ro.Go.Pa.G. | Togni (segment "Il pollo ruspante") |
| 1963 | I Mostri [Episodi Inediti] | |
| 1963 | The Hours of Love | Gianni |
| 1963 | Outlaws of Love | Vasco Timballo |
| 1963 | La donna degli altri è sempre più bella | Self (segment "La luna di miele") |
| 1963 | The Shortest Day | Pecoraio |
| 1963 | Follie d'estate | medico |
| 1962 | March on Rome | Umberto Gavazza |
| 1962 | Crazy Desire | Ing. Antonio Berlinghieri |
| 1962 | I tromboni di Fra' Diavolo | Sergente Visicato |
| 1962 | I motorizzati | Achille Pestani |
| 1962 | Always on Sunday | Benito |
| 1961 | Fists, Girls and Sailors | Capo Campana |
| 1961 | Sua Eccellenza si fermò a mangiare | Ernesto |
| 1961 | The Fascist | Federale Primo Arcovazzi |
| 1961 | 5 marines per 100 ragazze | sergente Imparato |
| 1961 | The Joy of Living | Anarchist |
| 1961 | His Women | Stefano |
| 1961 | Psycosissimo | Ugo Bertolazzi |
| 1961 | I magnifici tre | Domingo |
| 1961 | The Girl of a Thousand Months | Maurizio d'Alteni |
| 1960 | Le Olimpiadi dei mariti | Ugo Bitetti |
| 1960 | Un dollaro di fifa | Alamo |
| 1960 | Love, the Italian Way | Ugo Lemeni |
| 1960 | Tu che ne dici? | Solitario |
| 1960 | We Like It Cold | Ugo Bevilacqua |
| 1960 | I baccanali di Tiberio | Primo |
| 1960 | Genitori in blue-jeans | Renzino |
| 1960 | Il principe fusto | Frate |
| 1960 | My Pal, Dr. Jekyll | Giacinto Floria |
| 1959 | La cambiale | Alfredo Balzarini |
| 1959 | The Woman's Confidant | Cesar |
| 1959 | Noi siamo 2 evasi | Bernardo Cesarotti |
| 1959 | The Sheriff | Colorado Joe |
| 1959 | The Maids | Mario |
| 1959 | La Pica sul Pacifico | Roberto De Nobel |
| 1959 | Non perdiamo la testa | Tony Cuccar |
| 1959 | Guardatele ma non toccatele | maresciallo la Notte |
| 1959 | Fantasmi e ladri | Gaetano |
| 1959 | Policarpo, ufficiale di scrittura | Il professore, cliente della stireria (uncredited) |
| 1959 | Tipi da spiaggia | Pasubio Giovinezza |
| 1958 | Totò in the Moon | Achille Paoloni |
| 1958 | Domenica è sempre domenica | Ugo |
| 1958 | Marinai, donne e guai | Capo Campana |
| 1958 | My Police Granny | Lucio |
| 1955 | La moglie è uguale per tutti | Ugo |
| 1954 | Ridere! Ridere! Ridere! | Dottore |
| 1954 | Aces to the fore | Self |
| 1954 | I milanesi a Napoli | Franco Baraldi |
| 1953 | L'Incantevole nemica | Colombo, l'adjoint du directeur de la fromagerie |
| 1953 | Singing Café | Se stesso |
| 1953 | Sua altezza ha detto: no! | Ronchi |
| 1953 | Se vincessi cento milioni | Ugo (segment "Il principale") |
| 1951 | La paura fa 90 | Anastasio Lapin / Saverio Bompignac |
| 1951 | Una bruna indiavolata! | Carlo Soldi |
| 1951 | Greetings and sons! | Mario fidanzato di Luciana |
| 1950 | I cadetti di Guascogna | Ugo Bossi |
| Year | TV Show | Role |
|---|---|---|
| 1987 | Sacrée Soirée | Self |
| 1985 | Sogni e bisogni | Sig. De Amicis |
| 1975 | Les Rendez-vous du dimanche | Self |
| 1974 | Spécial cinéma | Self |
| 1972 | Le Grand Échiquier | Self |
| 1972 | Midi trente | Self |
| 1970 | FBI – Francesco Bertolazzi investigatore | Francesco Bertolazzi |
| 1958 | La Via del Successo |