The Last of the Summer Wines fourteenth series aired on BBC1. All of the episodes were written by Roy Clarke and produced and directed by Alan J. W. Bell. This was the first series to be shot entirely on film, although the complete episode was still assembled on videotape. This and the following series were broadcast in a 16:10 aspect ratio, compared to the standard 4:3 aspect ratio that it was broadcast in for its previous 13 series.
Is Ernie Burniston's fitness all a bluff? To prove it, Foggy uses Compo as his "guinea pig."
After overhearing a conversation between Nora and a neighbour, Compo discovers that Nora has a weakness for men in riding gear.
Compo, Clegg and Foggy prepare to pay their respects to an old teacher, but why is Howard so keen to go?
Wesley's weird new invention might score Compo some presentation points when he gives Nora some flowers.
Are Foggy's war stories true? Compo and Clegg decide to submit him to an old school ritual to discover the truth.
Clegg is the unwilling guardian of a giant stuffed panda bear, Marina's birthday present to Howard that must be delivered without Pearl catching on.
Compo is broke again so to earn some easy money, he visits Auntie Wainwright and becomes a one-man band.
When Foggy buys a video camera from Auntie Wainwright, it seems no-one is safe from his prying eye - especially Howard and Marina.
When Auntie Wainwright forces a gigantic tractor wheel on the trio, Foggy decides to make the best of it by crafting a vehicle out of it.
The trio visit Auntie Wainwright, to rent a bouncy castle for the Christmas parade. The ladies are reluctant to take part, Smiler makes a very unhappy Noddy, and Howard, dressed as a sheep, looks for his "Bo Peep", and gets a shock when he does