Known For:
Acting
Birthday:
June 16, 1896
Place of Birth:
Chicago, Illinois, USA
From Wikipedia
Sarah Blanche Sweet (June 18, 1896 – September 6, 1986) was an American silent film actress who began her career in the earliest days of the Hollywood motion picture film industry.
Sweet is renowned for her energetic, independent roles, at variance with the 'ideal' Griffith type of vulnerable, often fragile, femininity. After many starring roles, her first real landmark film was the 1911 Griffith thriller The Lonedale Operator. In 1913 she starred in Griffith's first feature-length movie, Judith of Bethulia. In 1914 Sweet was initially cast by Griffith in the part of Elsie Stoneman in his epic The Birth of a Nation but the role was eventually given to rival actress Lillian Gish, who was Sweet's senior by three years. That same year Sweet parted ways with Griffith and joined Paramount (then Famous Players-Lasky) for the much higher pay that studio was able to afford.
Throughout the 1910s, Sweet continued her career appearing in a number of highly prominent roles in films and remained a publicly popular leading lady. She often starred in vehicles by Cecil B. DeMille and Marshall Neilan, and she was recognised by leading film critics of the time to be one of the foremost actresses of the entire silent era. It was during her time working with Neilan that the two began a publicized affair, which brought on his divorce from former actress Gertrude Bambrick. Sweet and Neilan married in 1922. The union ended in 1929 with Sweet charging that Neilan was a persistent adulterer.
During the early 1920s Sweet's career continued to prosper, and she starred in the first film version of Anna Christie in 1923. The film is also notable as being the first Eugene O'Neill play to be made into a motion picture. In successive years, she starred in Tess of the D'Urbervilles and The Sporting Venus, both directed by Neilan. Sweet soon began a new career phase as one of the newly formed MGM studio's biggest stars.
Sweet made just three talking pictures, including her critically lauded performance in 1930's Show Girl in Hollywood, before retiring from the screen that same year and marrying stage actor Raymond Hackett in 1935. The marriage lasted until Hackett's death in 1958.
Sweet spent the remainder of her performing career in radio and in secondary Broadway stage roles. Eventually, her career in both of these fields petered out, and she began working in a Los Angeles department store. In the late 1960s, her acting legacy was resurrected when film scholars invited her to Europe to receive recognition for her work.
On September 24, 1984, a tribute to Blanche Sweet was held at the Museum of Modern Art in New York City. Miss Sweet introduced her 1925 film, The Sporting Venus.
Sweet died in New York City of a stroke, on September 6, 1986, just weeks after her 90th birthday.
Year | Movie | Role |
---|---|---|
1982 | Before the Nickelodeon: The Cinema of Edwin S. Porter | Narrator (voice) |
1945 | Make Mine Memories | |
1944 | Twenty Years After | (archive footage) |
1930 | Show Girl in Hollywood | Donny Harris |
1930 | The Woman Racket | Julia Barnes Hayes |
1930 | The Silver Horde | Queenie |
1929 | The Woman in White | Laura Fairlie / Anne Catherick |
1929 | Always Faithful | Mrs. George W. Mason |
1927 | Singed | Dolly Wall |
1926 | Diplomacy | Dora Weymouth |
1926 | The Far Cry | |
1926 | Bluebeard's Seven Wives | Juliet |
1925 | The New Commandment | Renee Darcourt |
1925 | The Sporting Venus | Lady Gwendolyn |
1925 | His Supreme Moment | Carla King |
1925 | Why Women Love | Molla Hansen |
1924 | Tess of the D'Urbervilles | Teresa "Tess" Durbeyfield |
1924 | Those Who Dance | Rose Carney |
1923 | Anna Christie | Anna Christie |
1923 | Souls for Sale | Self - Celebrity Actress (uncredited) |
1922 | Quincy Adams Sawyer | Alice Pettengill |
1921 | That Girl Montana | Montana Rivers |
1920 | Her Unwilling Husband | Mavis |
1920 | The Deadlier Sex | Mary Willard |
1920 | Girl in the Web | Esther Maitland |
1919 | The Hushed Hour | Virginia Appleton Blodgett |
1919 | A Woman of Pleasure | Alice Dane |
1919 | The Unpardonable Sin | Alice Parcot / Dinny Parcot |
1917 | Those Without Sin | Melanie Landry |
1917 | The Evil Eye | Dr. Katherine Torrance |
1916 | The Ragamuffin | Jenny |
1916 | The Thousand-Dollar Husband | Olga Nelson |
1915 | Stolen Goods | Margery Huntley |
1915 | The Case of Becky | Dorothy/Becky |
1915 | The Clue | Christine Lesley |
1915 | The Warrens of Virginia | Agatha Warren |
1915 | The Captive | Sonya Matinovich |
1915 | The Secret Sin | Edith Martin / Grace Martin |
1914 | The Avenging Conscience | The Sweetheart |
1914 | The Tear That Burned | Meg - the Wild Girl |
1914 | The Second Mrs. Roebuck | Mabel Mack |
1914 | Her Awakening | Mary |
1914 | For Her Father's Sins | Mary Ashton |
1914 | The Odalisque | May, a Stock Girl |
1914 | Judith of Bethulia | Judith |
1914 | Men and Women | Agnes Rodman - Stephen's Daughter |
1914 | Strongheart | Dorothy Nelson, Frank's Sister |
1914 | The Painted Lady | Jane - the Elder Sister |
1914 | Classmates | Sylvia Randolph |
1914 | Home, Sweet Home | The Wife |
1914 | The Little Country Mouse | Dorothy |
1913 | A Cure for Suffragettes | |
1913 | Pirate Gold | The Daughter |
1913 | A Chance Deception | The Wife |
1913 | Love in an Apartment Hotel | The Young Woman |
1913 | The Hero of Little Italy | Maria |
1913 | If We Only Knew | The Mother |
1913 | Near To Earth | |
1913 | The Coming of Angelo | Theresa |
1913 | Death's Marathon | The Wife |
1913 | The House of Discord | The Wife |
1913 | Three Friends | The Wife |
1913 | Broken Ways | The Road Agent's Wife |
1913 | Two Men of the Desert | The Authoress |
1913 | Oil and Water | Mlle. Genova |
1913 | The Stolen Bride | The Grower's Daughter |
1912 | The Painted Lady | The Older Sister |
1912 | The Chief's Blanket | The Young Woman |
1912 | Blind Love | The Young Woman |
1912 | The Transformation of Mike | The Tenement Girl |
1912 | The Massacre | Stephen's Ward |
1912 | Under Burning Skies | Emily |
1912 | The Lesser Evil | The Young Woman |
1912 | One Is Business, the Other Crime | Rich Wife |
1912 | For His Son | The Son's Fiancée |
1912 | The Eternal Mother | Martha, the Wife |
1912 | A Sailor’s Heart | The Sailor's Second Sweetheart |
1912 | With the Enemy's Help | The Prospector's Wife |
1912 | A Temporary Truce | Alice Hardy - the Prospector's Wife |
1912 | The God Within | The Woman of the Camp |
1912 | The Goddess of Sagebrush Gulch | The Goddess |
1912 | A String of Pearls | The Brother's Sweetheart |
1911 | Fighting Blood | |
1911 | The Lonedale Operator | Daughter of the Lonedale Operator |
1911 | Enoch Arden: Part I | |
1911 | The Miser's Heart | Neighbor |
1911 | The Battle | The Boy's Sweetheart |
1911 | The Villain Foiled | Miss Page |
1911 | Through Darkening Vales | Grace |
1911 | The Last Drop of Water | Mary |
1911 | A Country Cupid | Edith |
1911 | A Woman Scorned | |
1911 | The Primal Call | |
1911 | His Daughter | |
1911 | The Making of a Man | Young Woman |
1911 | Enoch Arden | Woman on the Beach |
1911 | The Long Road | Edith |
1911 | Love in the Hills | The Mountain Girl |
1911 | The Voice of the Child | The Wife |
1910 | A Flash of Light | |
1910 | The Rocky Road | |
1910 | All on Account of the Milk | The Maid |
1909 | The Day After | The New Year |
1909 | To Save Her Soul | Stage Dancer |
1909 | A Corner in Wheat |
Year | TV Show | Role |
---|---|---|
1980 | Hollywood | Self |
1959 | The Many Loves of Dobie Gillis | |
1957 | The Thin Man |