Known For:
Directing
Birthday:
August 15, 1959
Place of Birth:
Shizuoka, Shizuoka Prefecture, Japan
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Year | Movie | Role |
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2016 | Autumn | |
2015 | Japanscope, panorama de la nouvelle Nouvelle Vague | |
2006 | Cross the Lens | Self |
1999 | Tokyo Elegy | Detective |
1996 | I Stand Alone - SEX & LOVE | |
1993 | Chikan densha: Iyarashii kôi | Man drinking sake |
1986 | Groper Train: Final Stop | Man groping school girl |
1985 | Pink Physical Examination | |
1985 | Wakazuma Misshitsu Bôkô Jiken | |
1984 | Hometown Porn Girl 18! Seeding Festival | |
1984 | Female Prisoners: Brutal Treatment | |
1984 | Delivery Wife: Get Wet! | |
1983 | Crying Rope, Missing Black Hair | |
1982 | Young Wife Assault Pervert | |
In The Sea of Trees |
Year | TV Show | Role |
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