Known For:
Acting
Birthday:
January 13, 1895
Place of Birth:
Palma de Mallorca, Mallorca, Balearic Islands, Spain
Fortunio Bonanova, pseudonym of Josep Lluís Moll, (13 January 1895 – 2 April 1969) was a Spanish baritone singer and a film, theater, and television actor. He occasionally worked as a producer and director.
According to Lluis Fàbregas Cuixart, the pseudonym Fortunio Bonanova referred to his desire to seek fortune, and his love of the Bonanova neighborhood in his native Palma.
As a young man, living under his birthname, he was a professional telegraph operator. He studied music with the Italian Giovachini. In 1921, he debuted as a singer in Tannhäuser, at the Teatre Principal in Palma. That year, along with a group of Majorcan intellectuals and Jorge Luis Borges (who was briefly living in Majorca with his parents and sister), he signed the Ultraist Manifesto, using the name Fortunio Bonanova.
Also in 1921, he appeared in a silent film of Don Juan Tenorio by the brothers Baños, which was shown the following year in New York City and Hollywood. He later directed his own Don Juan in 1924.
In 1927, he acted in Love of Sunya, directed by Albert Parker and starring Gloria Swanson. In 1932 he had small parts in Hollywood productions featuring Joan Bennett and Mary Astor. In the same period, he appeared in New York in several operas as well as the zarzuelas La Canción del Olvido ("The song of forgetting"), La Duquesa del Tabarín ("The Duchess of Tabarín"), Los Gavilanes, and La Montería. In 1934, he returned to Spain, where he had a major role in the film El Desaparecido ("The disappeared one") written and directed by Antonio Graciani. In 1935 he acted and sang in the film Poderoso Caballero ("A Big Guy"), directed by Màximo Nossik.
In 1936, with the outbreak of the Spanish Civil War, he returned to the United States, where he played the role of Captain Bill in a film called Capitán Tormenta, directed by Jules Bernhardt. A sequence of increasingly larger acting and singing roles mostly in English-language films followed, especially after 1940. Among his roles were Signor Matiste, Susan Alexander Kane's opera coach in Citizen Kane (1941); General Sebastiano in Five Graves to Cairo (1943); Don Miguel in The Black Swan (1942); Fernando in For Whom the Bell Tolls (1943); Sam Garlopis in Double Indemnity (1944); and a singing Christopher Columbus in Where Do We Go From Here?. He continued for the next several decades in a miscellany of character roles.
Year | Movie | Role |
---|---|---|
1964 | Death Whistles the Blues | Comisario Fenton |
1964 | The Ballad of Hector the Stowaway Dog | Inspector |
1963 | The Running Man | Spanish Bank Manager |
1959 | Thunder in the Sun | Fernando Christophe |
1958 | The Saga of Hemp Brown | Serge Bolanos |
1957 | An Affair to Remember | Courbet |
1956 | Jaguar | Francisco Servente |
1955 | New York Confidential | Senor |
1955 | Kiss Me Deadly | Carmen Trivago |
1954 | With This Ring | Senor Corelli, Opera Singer |
1953 | Second Chance | Mandy, hotel owner |
1953 | Thunder Bay | Sheriff Antoine Chighizola |
1953 | The Moon Is Blue | Television Performer |
1953 | So This Is Love | Dr. Marafioti |
1953 | The Girl on The Roof | TV host |
1953 | Conquest of Cochise | Mexican Minister |
1951 | Havana Rose | Ambassador DeMarco |
1950 | Whirlpool | Feruccio di Ravallo |
1950 | September Affair | Grazzi |
1950 | Nancy Goes to Rio | Ricardo Domingos |
1949 | Bad Men of Tombstone | John Mingo |
1948 | Adventures of Don Juan | Don Serafino Lopez |
1948 | Romance on the High Seas | Plinio |
1948 | Angel on the Amazon | Sebastian Ortega |
1947 | The Fugitive | The Governor's Cousin |
1947 | Fiesta | Antonio Morales |
1947 | The Kneeling Goddess | |
1946 | Pepita Jimenez | Don Pedro Vargas |
1946 | Monsieur Beaucaire | Don Carlos |
1945 | The Red Dragon | Insp. Luis Carvero |
1945 | Man Alive | Prof. Zorado |
1945 | Hit the Hay | Mario Alvini |
1945 | Where Do We Go from Here? | Christopher Columbus |
1945 | La pícara Susana | |
1945 | A Bell for Adano | Gargano - Chief of Police |
1944 | Double Indemnity | Sam Garlopis |
1944 | Ali Baba and the Forty Thieves | Old Baba |
1944 | Mrs. Parkington | Signor Cellini |
1944 | My Best Gal | Charlie |
1944 | Brazil | Senor Renaldo Da Silva |
1944 | Going My Way | Tomaso Bozanni |
1943 | Five Graves to Cairo | Gen. Sebastiano |
1943 | Dixie | Waiter |
1943 | The Sultan's Daughter | Kuda |
1943 | For Whom the Bell Tolls | Fernando |
1942 | Larceny, Inc. | Anton Copoulos |
1942 | Four Jacks and a Jill | Mike - Nightclub Owner (uncredited) |
1942 | Girl Trouble | Simon Cordoba |
1942 | Obliging Young Lady | Chef |
1942 | Mr. and Mrs. North | Buano |
1942 | The Black Swan | Don Miguel (uncredited) |
1941 | Citizen Kane | Signor Matiste |
1941 | A Yank in the R.A.F. | Louie - Headwaiter |
1941 | Moon Over Miami | Mr. Pretto, the Hotel Manager |
1941 | That Night in Rio | Pereira, the Headwaiter |
1941 | Blood and Sand | Pedro Espinosa |
1941 | Unfinished Business | Impresario |
1941 | Two Latins from Manhattan | Armando Rivero |
1940 | Down Argentine Way | Hotel Manager |
1940 | I Was an Adventuress | Orchestra Leader |
1940 | The Mark of Zorro | Sentry (uncredited) |
1938 | Tropic Holiday | Barrera |
1938 | Bulldog Drummond in Africa | African Police Corporal |
1938 | Romance in the Dark | Tenor |
1936 | El carnaval del diablo | |
1935 | Poderoso caballero | |
1932 | Careless Lady | Rodriguez |
1932 | A Successful Calamity | Pietro Rafaelo |
1929 | Pacto con el Diablo (o el socio, Mr. Davis) | |
1928 | Las cuatro plumas | |
1922 | Don Juan Tenorio | Don Juan Tenorio |
Year | TV Show | Role |
---|---|---|
1958 | 77 Sunset Strip | Santos |
1956 | The Count of Monte Cristo | |
1954 | December Bride | |
1953 | General Electric Theater | |
1952 | The Abbott and Costello Show | Uncle Bozzo |
1952 | The Abbott and Costello Show | Prof. Roberto |
1951 | I Love Lucy | Professor |
1951 | Racket Squad |