Known For:
Acting
Birthday:
May 18, 1918
Place of Birth:
Mogliano, Macerata, Italy
Massimo Girotti (18 May 1918 – 5 January 2003) was an Italian film actor whose career spanned seven decades.
Born in Mogliano, in the province of Macerata, Girotti developed his athletic physique by swimming and playing polo. While studying engineering, he attracted the attention of Mario Soldati, who offered him a small part in the film Dora Nelson (1939), but it was not until later, in Alessandro Blasetti's La corona di ferro (The Iron Crown) (1941) and Roberto Rossellini's Un Pilota ritorna (A Pilot Returns) (1942), that he began to make an impression as a serious actor. In 1943 came a turning point in his career when Luchino Visconti cast him opposite the torrid Clara Calamai in Ossessione (Obsession), an earlier adaptation of the same novel on which Hollywood's The Postman Always Rings Twice is based. The film marked, in a sense, the birth of Italian neo-realism. Some of his notable post-war films include Caccia tragica (The Tragic Hunt) (1946) by Giuseppe De Santis and In nome della legge (1949) (In the Name of the Law) by Pietro Germi.
In 1950, he starred opposite Lucia Bosé in Michelangelo Antonioni's first full-length feature, Cronaca di un amore (Story of a Love Affair) (1950). In 1953, he played Spartacus in an Italian epic film known in the US as Sins of Rome and then, returned to work again for Visconti, in Senso (1954), giving perhaps the finest performance of his career. In the years which followed, he appeared in many mainly Italian films for directors such as Lizzani, Bolognini, Vittorio Cottafavi, Lattuada, but it was not until 1968 that he once again played a role worthy of his talents - that of the father in Pasolini's Teorema (Theorem) with Terence Stamp and Silvana Mangano. Two years later, Pasolini cast him as Creonte opposite Maria Callas in his Medea (1969). In 1972, he was in Bernardo Bertolucci's Last Tango in Paris. That same year he made a rare appearance in a horror film when he agreed to a supporting role in Baron Blood as a favor to its director Mario Bava.
He continued to act in character roles for the next thirty years. Some of the films he appeared in have been notable, including Joseph Losey's Monsieur Klein (1976) with Alain Delon and Jeanne Moreau, Art of Love (1983) by Walerian Borowczyk, the 1985 television miniseries Quo Vadis?, Roberto Benigni's Il mostro (The Monster) (1994).
He died in Rome of a heart attack after having just completed his last film, Ferzan Özpetek's La Finestra di fronte (Facing Windows) (2003).
Source: Article "Massimo Girotti" from Wikipedia in English, licensed under CC-BY-SA.
Year | Movie | Role |
---|---|---|
2021 | Cinecittà, de Mussolini à la Dolce Vita | Self (archive footage) |
2003 | Facing Windows | Simone / Davide Veroli |
2002 | Luchino Visconti | Self (archive footage) |
2000 | Der Kardinal - Der Preis der Liebe | Donato |
1996 | Un bel dì vedremo | Emilio Venditti |
1994 | The Monster | il condomino distinto |
1993 | L'Amore Dopo | Ing. Staino |
1992 | From Night to Dawn | Vergiotti |
1989 | The French Revolution | Envoyé du Pape |
1989 | Affairs | Count Valery Du Terrail |
1988 | La Bohème | The Old Pretender / Featuring |
1985 | The Berlin Affair | Werner von Heiden |
1983 | Art of Love | Ovid |
1981 | Passion of Love | Colonel |
1980 | Un reietto delle isole | Tom Lingard |
1977 | L'Ultimo Aereo per Venezia | Marcello Masini |
1976 | The Innocent | Count Stefano Egano |
1976 | Mr. Klein | Charles, Florence's husband |
1976 | And Agnes Chose to Die | Palita |
1975 | The Suspicious Death of a Minor | Gaudenzio Pesce |
1975 | Mark Shoots First | Il Questore Spaini |
1975 | Cagliostro | Giacomo Casanova |
1974 | The Kiss of Death | Eugenio Dazzi |
1973 | The Voracious Ones | Olmi |
1973 | Stateline Motel | Fred Norton |
1972 | Last Tango in Paris | Marcel |
1972 | Baron Blood | Dr. Karl Hummel |
1972 | My Body With Anger | Gabriele |
1969 | The Red Tent | Giuseppe Romagna Manoja |
1969 | Medea | Creonte |
1969 | The Sisters | Alex |
1969 | La coppia | Guido |
1968 | Theorem | Paolo, the Father |
1968 | Listen, Let's Make Love | Tassi |
1967 | The Witches | Sportsman (segment "La strega bruciata viva") |
1966 | The Mysterious Mr. Van Eyck | Friend of Charles |
1965 | Marco the Magnificent | Nicolo, Marco's Father |
1965 | Idoli controluce | Ugo Sanfelice |
1963 | Mafia alla sbarra | |
1963 | Gold for the Caesars | Pro-consul Caius Cornelius Maximus) |
1963 | The Shortest Day | Capitano alla finestra (uncredited) |
1962 | Imperial Venus | Leclerc |
1961 | Duel of the Titans | Tazio |
1960 | Letters of a Novice | Don Paolo Conti |
1960 | The Giants of Thessaly | Orfeo |
1960 | The Cossacks | Tsar Alexander II |
1960 | Cavalcata selvaggia | Lorenzo |
1959 | Wolves in the Abyss | Comandante |
1959 | La cento chilometri | Toccaceli |
1959 | Nights of the Teddy Boys | Constantino's Father |
1959 | The Head of a Tyrant | Holofernes |
1959 | Asphalt | Éric |
1959 | Herod the Great | Ottaviano |
1958 | The Year Long Road | Chiacchiera (Naklapalo) |
1957 | La trovatella di Pompei | Guglielmo Curti |
1957 | Goddess Of Love | Prassitele |
1957 | It Happened in Rome | Ugo Parenti |
1957 | La bestia humana | Pedro Sandoval |
1957 | Saranno uomini | Don Antonio |
1955 | Marguerite of the Night | Valentin |
1955 | Four of the Thundering Jet | Maggiore Montanari |
1955 | Disperato addio | dottor Andrea Pitti |
1954 | Senso | Il Marchese Roberto Ussoni |
1954 | La tua donna | Sandro Ademari |
1953 | The Love of a Woman | André Lorenz |
1953 | At the Edge of the City | Avv. Roberto Martini |
1953 | A Husband for Anna | Andrea Grazzi |
1953 | Vortice | Dr. Guido Aureli |
1953 | Sins of Rome | Spartacus |
1953 | Sul ponte dei sospiri | Marco Spada |
1952 | Rome 11:00 | Nando the Unemployed |
1952 | Leathernose | Doctor Marchal |
1952 | Il segreto delle tre punte | Massimo Dal Colle |
1952 | Lieutenant Giorgio | Tenente Giorgio Biserta |
1952 | Fugitive in Trieste | Fred Nolan |
1951 | Behind Closed Shutters | Ingegnere Roberto |
1950 | Duel Without Honor | Carlo |
1950 | Story of a Love Affair | Guido |
1950 | Land der Sehnsucht | |
1949 | Fabiola | Sebastian |
1949 | In the Name of the Law | Il pretore Guido Schiavi |
1949 | Altura | Stanis Archena |
1948 | Difficult Years | Giovanni Piscitello |
1948 | Woman Trouble | Paolo Bertoni |
1948 | Lost Youth | Marcello Mariani |
1947 | Fatalità | Vincenzo Masi |
1947 | Tragic Hunt | Michele |
1947 | Christmas at Camp 119 | Nane, il veneziano |
1946 | Preludio d'amore | |
1946 | A Day in the Life | Luigi Monotti |
1946 | Desire | Nando Mancini |
1945 | The Gate of Heaven | The blind youth |
1945 | La carne e l'anima | Andrea |
1945 | I dieci comandamenti | (segment "Ricordati di santificare le feste") |
1944 | Obsession | Gino Costa |
1943 | Harlem | Tommaso Rossi |
1943 | Apparizione | Franco |
1942 | A Pilot Returns | Il tenente Gino Rossati |
1941 | The Iron Crown | Arminio / King Licinio |
1941 | I pirati della Malesia | Tremal-Naik |
1941 | Le due tigri | Tremal-Naik |
1941 | La famiglia Brambilla in vacanza | Marco Sassoli |
1939 | Dora Nelson | Enrico |
Year | TV Show | Role |
---|---|---|
1990 | Der Erfolg ihres Lebens | Le comte di Falco |
1989 | The French Revolution | Massimo Girotti: L'envoyé du Pape (segment "Anées Lumière, Les") |
1987 | Der Ochsenkrieg | Someier |
1985 | Quo Vadis? | Aulus Plautius |
1985 | Christopher Columbus | Duca Medina Coeli |
1976 | Origins of the Mafia | Viceroy Caracciolo |
1971 | Il segno del comando | George Powell |
1969 | Jekyll | John Utterson |